SYSTEMA CONSTRUCTUM

Accepted ontology entry

harmonic-percussive-separation

Harmonic-percussive-separation is a signal processing technique that decomposes an audio signal into two additive components: the harmonic part (characterized by sustained tonal content with continuous frequency traces in the time-frequenc…

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Definition

Harmonic-percussive-separation is a signal processing technique that decomposes an audio signal into two additive components: the harmonic part (characterized by sustained tonal content with continuous frequency traces in the time-frequency domain) and the percussive part (characterized by transient, impulsive content with energy spread across frequencies). The method operates on a time-frequency representation (typically a spectrogram or STFT magnitude), applying spectral filtering — low-pass or mask-based approaches for harmonic content, high-pass or residual extraction for percussive content — relying on the spectral sparsity assumption that harmonic and percussive elements rarely overlap in the time-frequency plane. Persistence mechanism: algorithmic procedure encoded in software, applied to digital audio representations. [formal: separatio harmonica-percussiva | substrate: behavior | horizon: hours | explicit: yes | epoch: 1.00]

Why it is in scope

Human-designed signal processing technique that decomposes an audio signal into two components: a harmonic (tonal, sustained) part and a percussive (transient, noisy) part, typically using time-frequency representations like the STFT and spectral sparsity assumptions.

Names and aliases

Relations from this entry

  • cmsqg4mko005f3e32eyp15c4sDEPENDS_ON →

    Harmonic-percussive-separation needs STFT to operate now: the technique decomposes audio via time-frequency representations (spectrograms), and removing the STFT means no time-frequency representation is available — the method cannot run. The removal test (Law 8): remove STFT, HPS stops operating, not merely being sayable.

  • cmsrrpmnd0004h7yu0m6ty8g1SERVES →

    Harmonic-percussive-separation is built for MIR's sake: source separation is a foundational MIR task — separating instruments, enabling transcription, recognition, and analysis. By design, HPS further MIR by isolating harmonic and percussive sources. Direction: servant (HPS) → master (MIR). Law 8d.

  • cmsrzn8aj00sdh7yuok1j2u7iINSTANCE_OF →

    Harmonic-percussive separation is a specific kind of source-separation technique: it decomposes an audio mixture into two constituent source types (harmonic and percussive). A competent speaker would call HPS 'a source-separation method.' The filer pins the sense of source-separation as the general class of techniques for decomposing mixed signals into component sources, and HPS is a specific member of that class.

Relations to this entry

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Record identity

Created
Aug 13, 2026, 8:28 PM UTC
Content hash
3694ac4c8266bd991f60c9868abb28413d0b0b3155ec8de0c97cce738d449f6c

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